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  1. Home
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  3. 135 周年主题歌 Anniversary Theme Song
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135 周年主题歌 Anniversary Theme Song

一起来学习TACMC 135周年主题歌:《活出圣爱》
Let's learn our TACMC 135th Anniversary theme song : “Living Out Holy Love”

Hokkien (厦)
https://youtu.be/gOZlR6h6btc

Mandarin (华)
https://youtu.be/ieluPf7qBPM

English
https://youtu.be/LaZfd8PbBwM

乐谱 Scores
活出圣爱 (厦)
活出圣爱 (华)
Living Out Holy Love

诗歌简介
诗歌的章节,首先表达了“我们爱,因为上帝先爱我们。”(约一4:19)诗歌一开始就宣告“上帝是爱”,祂的爱是完全无瑕疵,更是无可比拟的,竟赐下独生子来拯救绝望的世界。对直落亚逸教会来说,“上帝是爱”是标志,更是所传承的使命。第二节说明圣爱亲自来到人间(约1:14),福音书记载主耶稣看到有需要人总是“动了慈心”,(太20:34;可1:41)除了慈心,主耶稣也付出行动和代价来帮助对方,彻底到一个地步,祂舍了自己的生命。(腓2:6-8)第三节是一个祷告,强调我们需要圣灵的动工,才有能力去爱。一个认为自己爱耶稣的基督徒,必须是一个有爱心,会爱人的基督徒,因为爱神爱人,如同一双筷子,缺一不可;换言之,我们要尽心尽力爱上帝,也要尽心尽力爱人。歌词提及一杯凉水,此灵感来自太25:31-46,就算是微小的善行,都等同做在主的身上,关键则是我们需要尽力去做。

 

副歌以主题“活出圣爱”来开启每一句歌词,大意是我们要效法基督,以基督的心为心(腓2:5),把基督的爱活出来。在“桥”的部分,全力以赴来追求完全的生命,是为了回报上帝的爱。“完全生命”是卫理宗的特有神学观,简意就是爱神爱人的生命,而这种生命需要我们一生去追求和操练。对于行善助人,约翰卫斯理教导:“藉所有的资源,尽一切的方法,在任何地方、任何时候、向任何人,尽你所能去行善。”卫斯理不只教导信徒要如此行,他穷其一生都在实践主耶稣的教导:活在穷人当中,全力以赴、竭尽所能地帮助有需要的人。无论哪个时代的基督徒,活出圣爱并非选择,而是我们必须活出的生命,来报答主对我们的爱!

诗歌的形式,以圣诗的格式为主,但加上一段“桥”,则结合了圣诗与现代诗歌的风格,为表达“无论哪个年代”的信徒都应该活出如此的生命。“桥”可帮助信徒在吟唱了三节充满神学内容的歌词后,有时间沉淀并作出回应:我要全力以赴活出爱!乐曲以“5声音阶”(Pentatonic or five-tone scale)来谱曲,以表达华族曲风,加强我们是华人基督徒的意识。

Introduction The verses of the song begin with the expression “We love because He first loved us” (1 John 4:19). The song declares at the outset that “God is love”. His love is perfect, flawless, and matchless. He even sent His one and only Son to save our despairing world. For Telok Ayer Chinese Methodist Church, “God is love” is not only a symbolic statement but a missional legacy to be passed on. The second verse explains that holy love personally came to earth (John 1:14), and the Gospels record that Jesus was always moved with compassion for those in need (Matthew 20:34; Mark 1:41). Besides showing compassion, our Lord also took action and sacrificed Himself to help others, even to the extent of laying down His own life (Philippians 2:6-8). The third verse is a prayer, emphasising that we need the Holy Spirit to empower us to love. A Christian who claims to love Jesus must be a Christian with a loving heart, one who is able to love others, because loving God and loving others is like a pair of chopsticks, either of which is indispensable; in other words, we are to love God and love people with all our heart and all our strength. The lyrics mention a cup of blessing, inspired by the drink offered to the thirsty in Matthew 25:31-46. The Lord regards even our small acts of kindness as deeds done unto Him, as long as we try out best to do them.

In the chorus, each line begins with a word that forms the theme “Living Out Holy Love”. The main idea is to imitate Christ, and to have the same mind and heart as Christ (Philippians 2:5), to live out Christ’s love. In the bridge, we are willing to give it our all to pursue perfected lives, in response to God’s love. “Perfected lives” reflects our distinctive Methodist theology, and simply means a life filled with love of God and neighbour. We need to pursue and practice this kind of living throughout our lifetime. As for doing good towards others, John Wesley taught: “Do all the good you can, by all the means you can, in all the ways you can, in all the places you can, at all the times you can, to all the people you can, as long as ever you can.” Wesley not only taught believers to do this, but he also devoted his entire life towards practicing the teachings of our Lord Jesus: living among the poor, and doing everything possible to help those in need. For Christians of any era, living out holy love is not an option, but a life we ​​must live in response to the Lord’s love for us!

The song mostly follows the format of a hymn, with the addition of a bridge, thus combining the styles of hymns and modern choruses, and proclaiming that believers “of all generations” should live out such a life. The bridge can help believers, after singing three verses rich with theological content, to digest the message and respond: I will give it my all to live out true love! The music is composed in a Pentatonic or five-tone scale to express a Chinese style of music and to strengthen our sense of being Chinese Christians.

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